In my practice, I explore alternative printmaking techniques that push the boundaries of traditional methods, integrating digital processes, experimental materials, and unconventional approaches to mark-making. By incorporating these hybrid techniques, I create multi-process prints that bridge historical techniques with contemporary methods. Recent experiments in hybrid printing include photopolymer plates, screen-printed grounds, laser-engraved woodblocks, and photo-based collagraph plates, allowing for rich textural variation and layered imagery.